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剧情提要
尼基娅·泰伯格自编自导，基于她2013年执导的同名短片，讲述女主贝拉从瑞典一个小镇来到洛杉矶，追求她当色情明星的梦想，但实现目标的道路却远比她想象的要坎坷。索菲亚·卡佩尔主演，除她之外剧组其他成员基本都是成人电影业内工作者。◎获奖情况第73届戛纳电影节(2020)新长片导演作品(提名)第34届欧洲电影奖(2021)费比西-发现奖(提名)第37届圣丹斯电影节(2021)评审团大奖世界电影单元剧情片(提名)尼基娅·泰伯格
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具教焕,文佳煐,姜末琴僵尸参将2
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Philip Granger,Toshi Toda,宝田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,萤雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei Ôsako,Norman England联合舰队司令长官：山本五十六
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Eric Walker,沃维克·戴维斯,菲奥纽拉·弗拉纳根,盖伊·博伊德,奥布丽·米勒,伯尔·艾弗斯,Daniel Frishman,黛比·李·卡林顿,托尼·考克斯,凯文·汤普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特犯罪读者俱乐部
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看不见的女儿
A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster